Diego Rivera Introduction (01:05)
In this film, the words of Diego Rivera, Frida Kahlo, and others are adapted from their writings. Hear Rivera's response to political controversy over his work.
Early Childhood (01:58)
Rivera was born in Guanajuato in 1886. When his twin brother died, his parents indulged his drawing talent. Hear embellished stories about his upbringing.
European Years (01:36)
Rivera's family moved to Mexico City. He attended classical art school before traveling to Madrid and Paris, where he furthered his education.
Entering the Parisian Art World (00:54)
Rivera lived with Russian painter Angelina Beloff, who introduced him to artists and intellectuals, including Ilya Ehrenburg.
"Zapatista Landscape" (01:51)
In 1913, Rivera joined the Cubist Movement in Paris. He was inspired by the Mexican Revolution and vowed to bring art to public places after the war.
Return go Mexico (01:11)
Rivera was inspired by light, people, and landscapes in his home country.
Revolutionary Art (00:56)
Rivera joined an artist's union and the Communist Party. They rediscovered pre-Columbian sculpture and began painting government supported folk murals.
Ministry of Education Mural (02:11)
Rivera married Lupe Marin while working on his first mural. In 1923, he began a series of frescoes of peasants and workers on a government building—a revolutionary act.
Creative Process (02:18)
Rivera developed his artistic vision through subject matter. View Ministry of Education murals and hear about his working style.
"Ballad of the Revolution" (01:32)
View Rivera's political frescoes in the Ministry of Education. He united popular culture and radical social commentary in his murals.
Chapingo Mural (02:03)
View Rivera's National School of Agricultural frescoes depicting industrial workers, peasants, and Zapata laid to rest.
Diego and Frida (01:15)
Hear how Rivera and Frida Kahlo met. They were married in 1929.
Political Activism (01:09)
Rivera joined the anti-Imperialist league. He was expelled from the Communist Party after accepting a Presidential Palace commission.
Cortez Palace Mural (01:30)
A U.S. ambassador commissioned Rivera to paint the Cuernavaca building. He researched the Spanish conquest for authentic details.
"Allegory of California" (01:12)
Rivera and Kahlo explored San Francisco for the Pacific Stock Exchange mural. It emphasized the labor involved in producing the state's wealth.
San Francisco Art Institute Mural (01:08)
Rivera and Kahlo experienced marital tension. View his painting depicting the artist as a worker, builder, and craftsman.
"Frozen Assets" (01:48)
U.S. patrons discouraged Rivera's radical politics by holding an exhibition at the Museum of Modern Art. View his controversial work of New York during the Depression.
Detroit Institute of Art Mural (01:16)
Rivera focused on the Ford plant as a symbol of the industrial age.
Frida's Suffering (01:15)
As Rivera worked on his Detroit mural, Kahlo painted her experience having a miscarriage.
"Detroit Industry" Controversy (03:41)
Hear Kahlo's description of Rivera's work patterns. View his Detroit Institute of Art mural that drew religious and political criticism.
"Man at the Crossroads" (03:04)
Learn about commission negotiations for the Rockefeller Center. Rivera maintained his patrons knew about his Communist leanings.
Rockefeller Center Censorship (02:51)
Rivera refused to remove Lenin's portrait from his mural. He was ordered off the premises and the work was covered: hear E.B. White's poem "I Paint what I See."
Artistic Defeat (01:14)
After the Rockefeller controversy, Rivera's Chicago World's Fair commission was canceled. He returned to Mexico.
"Man, Controller of the Universe" (02:08)
Rivera reconstructed the Rockefeller Center mural In Mexico City's Palace of Fine Arts.
Hosting an Exile (01:14)
View footage of Leon Trotsky in Mexico. After staying with Kahlo and Rivera for two years, he moved out over political differences.
Frida's Fame (01:27)
Andre Breton arranged a Paris exhibition for Kahlo in 1938. Rivera's infidelity strained their marriage; they divorced in 1939.
"Pan American Unity" (02:23)
Rivera was suspected in Trotsky's 1940 assassination attempt. He traveled to San Francisco to paint at the Golden Gate Exposition. His attitude had softened towards Americans.
Despite his infidelity, Rivera loved Kahlo. They remarried in San Francisco in 1940 and returned to Mexico.
"Dream of a Sunday Afternoon in Alameda Park" (04:47)
Hear Rivera's thoughts on happiness and inspiration. In 1947, he was commissioned to paint a mural at the Hotel del Prado. He later removed controversial religious elements.
Anahuacalli Museum (00:58)
Rivera was fascinated by ancient Mexico. He constructed a museum to house his murals and pre-Columbian artifacts.
Diego and Frida's Final Years (02:34)
Hear Kahlo's description of her relationship with Rivera. She died in 1954 and he lived until 1957; their final paintings both depicted watermelons.
Credits: Diego Rivera: I Paint What I See (01:22)
Credits: Diego Rivera: I Paint What I See
For additional digital leasing and purchase options contact a media consultant at 800-257-5126
(press option 3) or firstname.lastname@example.org.