This program examines how photographers work with images to communicate stories and ideas and how viewers interpret those images. Message manipulation deriving from point of view, context, editing, superimposing, cropping, recoloring, and captioning are discussed. In addition, selective perception—seeing pictures through the filters of values and prejudices—is studied. Commentary is provided by Doug Nickel, curator of photography at the San Francisco Museum of Modern Art; Joel Slayton, of the CADRE Laboratory for New Media at San José State University; Shanto Iyengar, director of the Political Communication Lab at Stanford University; and others. (27 minutes)